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Thursday 24 November 2011

Lagu Tiga Kupang

Basic Counting, Part 2:

Let's introduce a mixed example.
The quarter note is obviously beat 1 because from the time sig you know there are 4 quarter notes per measure. You also already know one half note = 2 quarter notes therefore the half note must be beats 2 and 3. Finally, you know that two eighth notes = 1 quarter note so they must be the "4 +".

When many different kinds of notes are intermingled, it starts to become tricky to count. Musicians will sometimes subdivide the notes so the counting flows more easily. Let's use the above example, but this time sub divides it.


Here every note in the measure is subdivided into 8th notes thus making it a lot more "fluid" to count. It’s pretty easy to understand too... one quarter note is two 8th notes, so it gets "1 +". The half note is really four eighth notes so it get "2 + 3 +". And the each 8th note get a half so one is "4" and the other is the "and" of 4.

Here would also be a good place to throw in a few examples with rests. These will just show the counting and will not explain them. Just think of the rests in terms of their corresponding notes and you'll have no problem!

Basic Counting:

One of the most obvious questions is how musicians know when to play. Well, it’s easy. They learn to count the beats.

First let us present you with this.
1 whole note = 2 half notes = 4 quarter notes = 8 eighth notes = 16 sixteenth notes.
Keep that in mind while looking at these examples.

Let’s start with this example.

First off, looking at the time signature you know that there are 4 quarter notes per measure.

In the first measure the whole note gets all the beats (1, 2, 3 and 4) because 1 whole note = 4 quarter notes, and there are a total of 4 quarter notes per measure.

In the second example, each half note gets 2 beats because 2 quarter notes = 1 half note.

In the third example, each quarter note gets its own beat because there are 4 quarter notes per measure (time sig).

Let's intermingle the 2 quarter notes and a half note.
The half note get the first 2 beats, and each quarter its own beat. This makes sense because the 4/4 time signature means there is 4 quarter notes per measure. 2 quarter notes + 1 half note (which is really 2 quarters) = 4 quarter notes, the total number of quarter notes for that measure (time sig).

Lets add in the eighth notes.
In this example there is something new. The + sign. It just means "and". If you said 1 + 2 + ... out loud it would sound like this.
1 and 2 and 3 and 4 and

Each eight note is 1/2 of a quarter note, therefore it takes 2 eighth notes to equal 1 quarter note.
Think of it like this: the 1 and the "and" are both half of one quarter note and together they form 1 quarter note and from the time sig we know there are 4 quarters per measure.

This may seem a little confusing now, but all of the sudden it will click. You will hit yourself in the head and wonder how you never understood it.

Wednesday 9 November 2011

I Believe 我相信

No matter what, you have to believe in yourself. Just like these two boys.
Take note of the lyrics too, very meaningful! ^O^

Sunday 6 November 2011

Bass Clef

Beams:

Before we move on let’s explore the beaming of notes. Connecting together the flags of eighth and sixteenth notes is called a beam. It simply means pairing up the notes so there isn’t a big long stream of individual notes. They would be hard to read, but instead, by grouping the notes they are much easier to read.

Compare the following:

8 eighth notes


8 sixteenth notes
Grouping provides a great way to easily read and recognize our rhythm pattern for these notes.

Saturday 5 November 2011

Rests:

     Our next symbol concept is the rest. The rest will represent when an instrument or beat is not played.
     So we will not strike a beat or beats when a rest appears. You get to relax and allow silence to be part of your rhythm. Silence is just as impor
tant as sound. It allows you add space and accents to your music. Keep this in mind when you listen to your music choices and see if you can find the rest points.

The rests:






These are the five basic rest symbols we use. So each note has an equal rest.
Dotted rests:
And for our dotted notes we have dotted rests. They are applied as with notes.